Articles by Kristen Sunter
November 22, 2013
Oscar-winning director Alex Gibney began filming a documentary about Lance Armstrong’s comeback at the 2009 Tour de France, four years after his last win in 2005. But after the infamous 2013 interview with Oprah, Gibney realized that Armstrong had just been using his documentary to bolster his already crumbling story. Gibney was ultimately able to weave the damning footage of his previous interviews into a story of betrayal to deliver a play-by-play of one of the farthest falls from grace in the history of sports.
November 1, 2013
I admired Princess Diana when I was a kid because she was nice when she didn’t have to be. She could have just attended the requisite state functions, but instead she made an effort to reach out to less fortunate people, and she set the bar for later celebrity activists. In the 1980s, she famously shook the hand of a man with AIDS, despite the widespread fear and misunderstanding of people who were HIV positive at the time. Her complicated personal life became tabloid fodder, but to her fans her flaws only made her more relatable. But the afternoon before her fatal car accident, I remember wondering aloud to my friends as we wandered between the rides at a local amusement park whether Princess Di was really a nice person, in real life, not just on the news.
November 1, 2013
The Digital Den, which has had public viewing hours in the Metropolitan Storage Warehouse in recent months, held a launch party on Sunday, Oct. 20 at the Middlesex Lounge in Central Square, with guided tours of the computing equipment on exhibit, and playtime with machines ranging from early Macs to an Oculus Rift.
October 11, 2013
The word “aerial” has come to connote aerial silks, trapeze, lyra, and similar circus arts, and the performances often involve more acrobatics and gravity-defying tricks than dance per se. That’s not to say that aerial silks are not graceful or expressive, but that Cirque du Soleil has set a high standard for making audiences gasp.
October 11, 2013
The film opens with sobering facts about space written on a black screen, while a sound like a rocket launching grows deafeningly loud, so it is clear from the very beginning that Alfonso Cuarón’s Gravity will be merciless. But the brutal facts and gripping story are set against the incredible beauty of Earth as seen from space, with sleight-of-hand special effects, and gorgeously rendered scenes of sunrises and the northern lights from orbit.
October 4, 2013
On Wednesday Sept. 25, the Museum of Fine Arts (MFA) hosted A Celebration of Benin Kingdom Arts and Culture, an event in collaboration with the Coalition of Committed Benin Community Organization, to mark the opening of the new Benin Kingdom Gallery, which features rare art from the Kingdom of Benin in present-day southern Nigeria.
September 27, 2013
Jason Blake (Josh Holloway), a once successful basketball coach who turned to alcohol after the death of his wife and son, is recruited by his hip-hop big shot friend Dante Graham (Laz Alonso) to form a “Dream Team” of the best b-boys from cities all over the U.S. to compete in the largest international breaking competition, the eponymous Battle of the Year.
September 6, 2013
The Silk Pavilion is a gauzy hemisphere of sparse silk threads, with apertures arranged in an asymmetric but balanced pattern and many small, dense, circular patches of silk filaments that were spun directly onto it by live silkworms. The scaffold is composed of several panels with irregular patterns of silk thread to support the silk spun by Bombyx mori, the most widely cultivated species of silkworm.
August 30, 2013
The World’s End, directed by Edgar Wright and starring Simon Pegg and Nick Frost, is the third British comedy in the “Three Flavours Cornetto Trilogy,” along with Shaun of the Dead (2004) and Hot Fuzz (2007). Aside from the creative team and similar themes, each film in the trilogy stands on its own. Shaun of the Dead was a romantic comedy and a zombie horror flick mashup; Hot Fuzz was a cop action comedey; and finally, The World’s End is science fiction, by way of a brilliant and dark comedy about the balance between growing up and fears of conformity.
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August 7, 2013
Dennis Dugan and Adam Sandler’s latest film opens with Lenny Feder (Sandler) telling a joke comparing his wife’s (Salma Hayek) Mexican mother to a moose that has wandered into their house. Then — and here’s the kicker — the moose urinates on him. If you are not falling out of your seat laughing by this point in the film, you’re in for a long 101 minutes.