The Tech - Online EditionMIT's oldest and largest
newspaper & the first
newspaper published
on the web
Last Published: April 14, 2016
Boston Weather: 73.0°F | Fair

Articles by Denis Bozic

STAFF WRITER
May 10, 2013
In the last ten years, the UK music scene has been producing new female singer-songwriters like an exponential growth function let loose. After the great success of Ireland-native Róisín Murphy’s trip hop and dance-pop solo career in the UK, followed by Amy Winehouse’s planetary breakout and her revival of contemporary soul and jazz music, there have been few major waves of incoming sound — and look-alike female musicians. Adele and Duffy were the first ones to take and pass on Winehouse’s torch, by writing and producing similarly soulful and bluesy songs. By the end of the 2000s, a new wave of more-pop-oriented female artists brought VV Brown, Jessie J, Florence Welch (of Florence + The Machine), and Marina Diamandis (of Marina and the Diamonds). In the meantime, Róisín Murphy-inspired artists, such as Elly Jackson (of La Roux) and Ellie Goulding, diversified the music scene by popularizing electro-pop music.
STAFF WRITER
May 3, 2013
Growing up as a child in a very musical and theatrical family, I developed a keen sense of distinguishing high quality shows from mediocre ones, in both visual and acoustic performing arts. Even the most nuanced distasteful details in a show can make me frown, which is why I always found it difficult to like live musicals. Whereas regular plays and musical concerts require a certain subset of performance skills, musicals require the full package: good production, acting, dancing, singing and very often a well-coordinated orchestra. With that said, I am so happy to wholeheartedly admit that I was astonished by Berklee College’s adaptation of Hair, which premiered last week at the Berklee Performance Center.
STAFF WRITER
April 26, 2013
It might be due to my biased pop-oriented ear, but it seems that it’s hard to find a rock band nowadays that maintains the essence of rock music while being original and progressive at the same time. Put some repetitive guitar and percussion sounds together with unrefined lyrics and forced hoarse voices and you’ve got yourself a group of fully-operating contemporary rock band copycats. Nevertheless, there are still a few of them that manage to captivate my attention with their rock-based roots and striking, ever-growing uniqueness. Yeah Yeah Yeahs is one of them.
STAFF WRITER
April 19, 2013
If this is the first time you hear the oddly concatenated name iamamiwhoami, then you have missed the fascinating beginnings of an enigmatic viral internet sensation that took over Youtube in 2009. Founded by the Swedish folk singer-songwriter Jonna Lee, her producer Claes Björklund and the film director Robin Kempe-Bergman, iamamiwhoami is an audiovisual musical project with many charming peculiarities that your regular wannabe-weirdo artists never manage to deliver.
STAFF WRITER
April 12, 2013
Judging by the album cover, you might be thinking that another Britney Spears-inspired diva has emerged to conquer the world’s pop scene, but if you are a fan of the Swedish brother-sister duo The Knife, you know that this is far from the truth. The mellow-looking cover art is just a deceiving layer of their new album, Shaking the Habitual, which is everything but mellow.
STAFF WRITER
April 5, 2013
Expectations and comebacks are inseparable companions. When a star as famous as Justin Timberlake takes a temporary break from making music, coming back to the scene is never a piece of cake — the media wants to know the reason behind the hiatus and the fans expect fresh and promising music.
March 22, 2013
We might not want to admit it, but there is certainly a gender bias when it comes to music tastes. It is quite rare to hear someone label music as “too manly”, but it is not so uncommon to hear it called “too girly” in one way or another. For example, the singer might be too showy, the video’s choreography might be too bombastic, the song might be too cheesy, or it might just have “too much pop” to handle.
March 22, 2013
The MIT Shakespeare Ensemble’s production of “Julius Caesar” premiered last Friday, with over twenty-five MIT students contributing to the show as either cast or crew. The story is about the conspiracy against Julius Caesar, and his assassination in 44 BC. Although it is a historical play, “Julius Caesar” does not focus significantly on the facts and logistics of the conspiracy, but instead illuminates the psychological basis and internal struggles of the characters in the play.
March 15, 2013
MIT is unquestionably known for science and technology ­— many of the world’s cutting-edge research projects and ideas have either been developed here or are at least somehow connected to the Institute.
<< First   1 | 2 | 3 | 4   Last >>