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Articles by Denis Bozic

STAFF WRITER
October 4, 2013
For the Los Angeles-based experimental musician Julia Holter, having creative blocks and receiving only sporadic artistic epiphanies does not seem to be an option. Her debut album Tragedy was released in 2011, immediately accompanied by the sophomore follow-up Ekstasis in 2012 and the third full-length album Loud City Song released this year. Keeping in mind that many critically acclaimed contemporary musicians take more than a few years between releasing their albums, it might be tempting to assume that Holter prefers quantity over quality. Yet, at only twenty-eight years of age, Holter — a musically-trained CalArts alumna — delivers stronger and richer material with each subsequent album.
STAFF WRITER
September 20, 2013
“Also, I wanna say The Droid Control can kiss the rust of the left and the right cheek of my black metal ass,” says the voice of a female caller during a radio call in Monáe’s interlude “Good Morning Midnight.” The radio station WDRD, led by DJ Crash Crash, receives comments and thoughts from various callers, who discuss their opinions on Monáe’s heroine alter-ego, android Cindi Mayweather.
STAFF WRITER
August 30, 2013
Despite their strong penchant for science and engineering, many students come to MIT with extensive previous experience in theater and film. And, while it seems that a school like MIT might be the last place on Earth to find interesting theater classes, the Institute offers various and eclectic courses for students who want to continue exploring their interests in this field, and for students who had no prior exposure to theater and film.
STAFF REPORTER
August 23, 2013
Born and raised in Ghana, Kae Sun moved to Canada when he was just a teen. Entering the music scene as a student in Hamilton was never an intentional decision for him, but that initial spontaneity has evolved into a promising music career, with two full-length albums released and an ongoing tour.
STAFF WRITER
August 7, 2013
An old haunted house in a semi-deserted suburban area, squeaky noises in the night, clocks stopping always at the same hour, a naïve and helpless family deciphering tortuous supernatural clues, possessions and exorcisms — you’ve seen it all before. Even if your knowledge of horror movies is limited to the few ones that turned your childhood nights into never-ending states of sleeplessness and convinced you to stick with comedies, you will be able to foresee the outcome of every scene in The Conjuring. Don’t be fooled though, because this movie will have you screaming in your seat, or at least jolting out of the unrelenting anticipation in case you grew inured to the images of unsightly demonic figures.
STAFF WRITER
August 7, 2013
Making sentient albums and coloring them with distinct personalities that incite a vast range of emotions upon every listen is, if done successfully, a tricky, but rewarding artistic attempt. Some of these albums, like Planningtorock’s overlooked debut album Have It All, are extroverts — they reach out to you with their lovable eccentricities embodied in their lyrics and music, while giving their essence to you. Other ones, like Björk’s album Vespertine, are introverts — these absorb and isolate you with their slowly-unraveling and unreachable sounds, while luring your essence and then trapping it within their realm. And then there are those free-roaming spirits, like Anna Von Hausswolff’s newest album Ceremony, that simply take you on an unpredictable journey, enriched with both mysterious and tangible emotions, while offering you a taste of vicarious memories.
STAFF WRITER
July 3, 2013
The Scottish synth-pop band Chvrches (usually stylized as CHVRCHES) released their first EP Recover this March to very positive reviews, and just recently embarked on their first U.S. tour. Taking the London-based musical project Still Corners along with them, the band paid Boston a visit last month to play some of their acclaimed songs and present forthcoming album material.
STAFF WRITER
July 3, 2013
I never understood the Kanye West mania — not because I’m some music snob who does not appreciate rap and hip hop, but because I have enough guts to follow my instincts and speak up when over-hyped contemporary music is worthless. I am not a connoisseur of rap music, and I may not be able to recognize all the nuances of hip hop, but when I do listen to these genres, I am certain that I listen to praiseworthy artists. For example, I love OutKast and I think that every bit of their acclaimed success was well deserved. During the summer before my senior year of high school, I spent most of my afternoons listening to The Roots’ How I Got Over on repeat. If you play Missy Elliott’s “Work It,” I will (mostly unsuccessfully) rap along. And, while I am not their greatest fan, I love listening to Q-Tip, Nas, Mos Def and Talib Kweli when I get a craving for some good beats.
STAFF WRITER
June 14, 2013
This year ought to be a milestone for Robin Hannibal. Just earlier this year, he and Mike Milosh released a spectacularly sensual album Woman under the artistic moniker Rhye, which swept the critics and the fans off of their feet. Now, only a few months later, he reunites with Coco O, the second half of his well-established musical project Quadron, to release their sophomore album Avalanche and set the ground for this summer’s music scene.
STAFF WRITER
June 14, 2013
One afternoon during last fall, I came back from class exhausted and frustrated by the never-ending amount of studying and homework waiting for me. I decided to relax and watch a movie that would require minimum mental attachment, which for some reason always helps to clear my mind. I remembered my friend telling me to watch some romantic movie from the 90s called Before Sunrise. I wasn’t very picky at that moment, so I found the movie, made some mood-elevating dinner and sat down for a session of good old leisure.
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