Articles by Angelique Nehmzow
June 6, 2014
As if opening a treasure chest to discover a trove of precious stones, the audience oohed and aahed every time the curtains were raised to reveal dancers in glittering costumes, poised in front of sparkling backdrops of enormous gems. Boston Ballet’s 50th season concluded this year with George Balanchine’s Jewels.
April 25, 2014
Editor’s Note: Some parts of this interview were shortened and edited for clarity.
March 21, 2014
From start to finish, Boston Ballet’s Cinderella is an enchanting telling of the beloved fairytale. Set to a score by Sergei Prokofiev and choreographed by Sir Frederick Ashton, the ballet was premiered in 1948 by the Sadler’s Wells Ballet (now The Royal Ballet), and is now being performed for the first time by Boston Ballet.
March 14, 2014
There was a high concentration of dance talent in Boston last weekend. As part of this year’s international Flamenco Festival, four of the world’s greatest flamenco dancers performed just across the river from MIT.
February 25, 2014
“Wow” — the clearly audible voice of an awed child elicited muffled chuckles from the audience members around us. She hit the nail on the head — we all felt the same.
January 31, 2014
2013 has been an exciting year for arts both on and off campus. As always, there have been plenty of performances and exhibitions at MIT, running the gamut of creative endeavours from Senegalese drumming, to experimental theater, to ballroom dancing. In addition, for the first time, there has been a push to promote entrepreneurship in the arts at MIT, with a new category in the 100K competition for art/design-related ventures and a hackathon event.
May 10, 2013
Every time I go to the Boston Opera House I am blown away. Last week, which saw the premier of Chroma, was no different. The audience was treated to three very different but complementary ballet performances: Serenade, Chroma, and Symphony in C.
March 15, 2013
Oz The Great and Powerful is a prequel to Victor Fleming’s 1939 film The Wizard of Oz, starring Judy Garland as Dorothy. In keeping with this, Oz The Great and Powerful begins in gray scale and transitions to color, and the plot involves the Wizard making a medley of new friends. Like the musical Wicked, the film imagines the origins of an important but secondary character, in this case the Wizard of Oz. This version of events, too, explains how the Wicked Witch of the West became so wicked, and sets the scene for L. Frank Baum’s story in the book The Wonderful Wizard of Oz.
March 15, 2013
Boston Ballet’s spring season began last week with All Kylián, a compilation of three pieces by the prestigious Czech choreographer Jirí Kylián.
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November 9, 2012
“These images are probably the most acute examples of everything I cherish” is how Mario Testino describes his debut museum exhibition in the United States. On display at the MFA, Mario Testino: In Your Face is a collection of 122 photographs drawn from the last 30 years of Testino’s work.