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Briefs (right)

Source in CIA Leak Case Voices
Remorse and Chagrin

By David Johnston
THE NEW YORK TIMES WASHINGTON

Expressing regret for his actions and apologies to his administration colleagues, Richard L. Armitage, the former deputy secretary of state, confirmed Thursday that he was the primary source who first told a columnist about the intelligence officer at the center of the CIA leak case.

“It was a terrible error on my part,” Armitage said in an interview, discussing his conversations with reporters. He added: “There wasn’t a day when I didn’t feel like I had let down the president, the secretary of state, my colleagues, my family and the Wilsons. I value my ability to keep state secrets. This was bad, and I really felt badly about this.”

Armitage also confirmed what had long been speculated — that he was the anonymous government official who talked to Bob Woodward, the Washington Post editor and reporter, about the intelligence officer, Valerie Wilson in June 2003. It is the first known conversation between an administration official and a journalist about Wilson.

Armitage, who has been criticized for keeping his silence for nearly three years, said he had wanted to disclose his role as soon as he realized that he had been the main source for Robert D. Novak’s column on July 14, 2003, which identified Wilson.

Equal-Opportunity Offender Plays
Anti-Semitism For Laughs

By Sharon Waxman
THE NEW YORK TIMES LOS ANGELES

Fall is traditionally when Hollywood turns to more serious films, and the Toronto International Film Festival is where they are frequently shown. But a new movie that seems certain to raise hackles and induce squirming is a raucous comedy that makes its points by seeming to embrace sexism, racism, homophobia and that most risky of social toxins: anti-Semitism.

Screening at midnight on Thursday in Toronto, “Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan” stars the chameleonlike comedian Sacha Baron Cohen as he impersonates a Kazakh reporter touring the United States, bringing his version of Kazakh culture to real-life Americans.

In one scene Borat insists on driving to California rather than flying, “in case the Jews repeat their attack of 9/11.” As he tours the South, he becomes terrified when he learns that an elderly couple who run an inn are Jewish. When cockroaches crawl under the door of his room, he becomes convinced the innkeepers have transformed themselves into bugs, and throws money at them.

In another scene Borat returns to his home village and participates in an annual ritual, “The Running of the Jews,” complete with giant Jew puppets that the villagers beat with clubs.