Complex storylines bungled in Blink broth
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@Eventname:Blink
@Eventdesc:Directed by Michael Apted.
Starring Madeleine Stowe and Aidan Quinn.
@ByName:J. Michael Andresen
@ByTitle:Arts Editor
@Dropcap:
@Body:Madeleine Stowe is Emma, a violinist for the alternative band The
Drovers, who was blinded in childhood by an abusive mother. She regains her
sight following eye surgery. Though her vision remains very blurred, she
sometimes gets a clear ÒflashbackÓ of something she had actually seen the
day before. It is in this sort of flashback that Emma witnesses a serial
killer escaping the scene of a murder.
She goes to the police, but they donÕt believe her because she is still
mostly blind. When Detective John Hallstrom (Aidan Quinn) is assigned to
the case, however, he has no choice but to believe that she actually did
see the murderer. He struggles throughout the movie to protect Emma from
the murderer, who knows he was seen, and to find this man before he strikes
again.
If this was the only plot, then the film might have worked. As it is, the
two subplots hamper the execution of the murder mystery. EmmaÕs struggle to
deal with self-image problems that go along with regaining her sight is
given some attention at the beginning of the movie, but is not mentioned
again. A female reporter does a feature on EmmaÕs story, and during the
interview Emma keeps looking from the reporter to her own body. Having no
concept of what constitutes beauty, Emma asks the reporter, ÒAre you
pretty?Ó Unfortunately this self-examination never reaches a
conclusion.
Emma also works through feelings she has for the mother who blinded her as
a child of five by smashing her face into a mirror. While this makes way
for some frightening hallucinations, it is neither very well introduced nor
dealt with in any way. It is merely presented as an added detail.
The love story is also inadequately developed. It starts out as a triangle
of sorts between Emma, John, and EmmaÕs ophthalmologist. John wins out
easily, though, and we never really learn why. They go out for coffee once
and the next day end up in bed together, madly in love. There is almost no
development whatsoever.
We plod through these subplots to finally reach the climax of the mystery,
which was also disappointing. Good mysteries are made by good criminals,
and the bad guy here was anything but that. His motive for the serial
killings was interesting, but he himself was rather insane. Somehow,
mysteries are more satisfying when there is an evil and devious criminal
masterminding the whole affair. Giving the honors to an idiot diminishes
this satisfaction and makes one wonder how he could have gotten away with
everything so easily.
Blink does have its moments, though. It gives an introspective look
into what it is like to be blind. When Emma first gets back to her
apartment after regaining her sight, she stumbles up the staircase that she
probably successfully navigated hundreds of times while completely blind.
When she gets back to her room, she turns the television on, only to find a
fuzzy screen of snow: she had been able to listen to the television before,
unaware of the lack of picture. One particularly interesting insight is
made when a friend inquires about what itÕs like to have sex when
blind.
The technical aspects of this movie are impeccable. The scene when Emma
first opens her newly restored eyes is amazing. The sequence from total
blackness to a dizzying array of lights and images is terrifying, much like
it might be to someone regaining sight for the first time after 20 years.
The few shots of the eye surgery itself were fascinating as well.
Throughout the film, Emma experiences mutating hallucinations/flashbacks
that come off effectively on the screen.
The music by The Drovers (an actual band, apparently) was also quite nice.
The group was appropriately showcased as they performed almost all of the
music for the film.


