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Articles by Jaimie Chung

STAFF WRITER
May 10, 2013
Let’s start with the pros. When I first saw trailers last year, I was offended by the choice of music. Yet, to my surprise, the music’s unexpectedness blends well with director Baz Luhrmann’s fantastical take on the story. In the elaborate party scenes, the hip-hop music by Jay-Z matches the craze, while also giving it a dimension of modernity. In another scene, a jazzy rendition of Beyonce’s “Crazy in Love” undoubtedly entertained the younger audience members. The best parts of the soundtrack, however, are the mash-ups of old and new. Motifs from Gershwin’s “Rhapsody in Blue” are used a few times in the film, and once it is blended with Jay-Z’s “Empire State of Mind.” The soundtrack strategically pulls in the younger audience while tying in the classics for more seasoned moviegoers.
STAFF WRITER
May 3, 2013
Mud is a reminder of how movies have the potential to be more than just entertainment. With a setting that is foreign to most, director Jeff Nichols tells the typical loss of innocence story through a new lens. By making Ellis (Tye Sheridan) the observer who eventually enters the world he observes, the audience is able to make the transition with him and live his adventure.
STAFF WRITER
March 22, 2013
This is not the movie you expect it to be. You will see a more-than-adequate amount of scantily clad coeds and parties where someone ends up with a raw chicken on their head, but you will also experience discomfort at the sheer strangeness of the film and the message it thrusts in your face by constant voiceover repetition. The plot is simple enough: four girls rob a diner to afford a spring break trip, and people die (insert meme).
STAFF WRITER
December 4, 2012
Arthur Musah ’04, MEng ’05, who graduated from MIT in Course 6, left Ghana to come to the Institute in order to pursue a world-class education and engage in the global conversation. Like Musah, five students — Fidelis Chimombe, Mosa Issachar, Sante Nyambo, Billy Ndengeyingoma, and Philip Abel — left their respective home countries of Zimbabwe, Nigeria, Tanzania, Rwanda, and Nigeria, and One Day I Too Go Fly aims to chronicle their four years at the Institute and how their identities are molded by their experiences.
STAFF WRITER
November 2, 2012
Once in a while, a film transcends its medium and stands alone as a work of art. Cloud Atlas is such a masterpiece. Of course there are details that can be critiqued, but it is useless to scrutinize these details because they are insignificant in comparison to the important message the film relays.
STAFF WRITER
October 12, 2012
Despite the fact that Looper’s entire premise is time travel, it’s not your typical sci-fi film. It is hard to give a summary of the film without unraveling the plot, which speaks to how intricate the storyline is. Without giving too much away, the film centers on Joe (played by Joseph Gordon-Levitt), who is meant to kill his future self (played by Bruce Willis). Little does he know that his future self has a plan of his own to both stay alive and prevent future events.
STAFF WRITER
May 15, 2012
The slew of Marvel superhero movies in recent years has culminated with Joss Whedon’s multimillion dollar brainchild, The Avengers. Each Marvel installment had a pleasant dosage of witty lines and heroic bravado, but when all of these characters come together, there is a little too much of everything. Still, the special effects, comical dialogue, and some stellar acting make the movie worth both the money and the time.
STAFF WRITER
April 6, 2012
With a mini-reunion of the cast of Bridesmaids, Friends with Kids had some high standards to live up to. Friends with Kids did succeed in telling the same old love story in a new way, but it did not compare in the comedy department. Still, the movie offers a cute and unique story, and the low budget makes the end result all the more charming.
STAFF WRITER
March 9, 2012
Based on American poet Nick Flynn’s memoir Another Bullshit Night in Suck City, Being Flynn is everything a literary film should be, and director Paul Weitz executes it in a way that makes what is seen on-screen as fluid as reading a book. The movie follows the lives of a father and his son who are both struggling writers. The father, Jonathan Flynn (Robert De Niro), had left his family early in his son’s life, and they don’t meet again until Jonathan loses control of his life and becomes homeless. The sudden presence of his father in his life makes Nick (Paul Dano) question everything he has become, and we are shown how his relationship with his father molds every aspect of his life. Although the film is essentially a coming-of-age story, it unfolds so that we can profoundly understand the process. At first glance, the plot seems banal and sophomoric, but this is pleasantly not the case.
STAFF WRITER
January 25, 2012
As married couples grow older, they gradually adopt a mindset that pits them against the world and makes them believe that everyone is out to get them. Families grow into units that each have their own ideals and ways of dealing with different situations, and this makes conflict amongst families inevitable. In Roman Polanski’s new film Carnage, this truth is put on display for viewers to evaluate and ridicule.
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