Articles by Grace Young
February 25, 2014
Tim’s Vermeer follows American inventor Tim Jenison as he tests a novel theory about how 17th century Dutch master Johannes Vermeer used scientific methods and equipment to paint. Produced and directed by the Penn and Teller illusionist duo, it occasionally takes a cut-and-dried documentarian tone about Jenison’s experiment, but eventually switches to a more intimate examination of Jenison himself. Its big themes, thoughtful editing, and memorable characters put it in a class of films somewhere between History Channel specials and Hollywood dramas.
February 14, 2014
If you’ve never Googled “arts at MIT,” I guarantee you’ll be shocked at the vast array of arts activities, exhibits and events going on every week on campus, from alumni-produced films and student performances to professional shows by one of our many visiting artists. Yet I’ve lost track how many times I’ve been asked “MIT has arts?” Art, science, and engineering just don’t typically connect in people’s minds. Partners of the Alliance for the Arts in Research Universities (a2ru), including MIT, think that’s a problem.
January 31, 2014
“MIT has arts?” I can’t count how many times I’ve heard that question! But it’s only from people who don’t go to MIT. MIT has a vibrant arts community, especially in dance, theatre, and music. This year was no exception. Every week in 2013, there were at least half a dozen arts events on campus, from student performances to an arts-focused hackathon.
December 10, 2013
Nearly every month since 2011 MIT has hosted a “Choose-to-Reuse” event in the Stata Center lobby, sponsored by the Department of Facilities, Sustainability@MIT, and Green. During the event, community members donate and trade unwanted items. The overarching goal is to promote a culture of recycling and reducing waste. This year they are giving the program an arts-spin by collaborating with sculptural artist Kyle Haines. Haines will repurpose items from Choose-to-Reuse, as well other items found at MIT, into MIT-themed sculptures. His final pieces will be displayed on campus during Earth Week this coming April. He will begin collecting goods at the next Choose-to-Reuse event this Friday. He caught up with The Tech to explain his motives behind the project and how art can relate to the MIT community.
December 6, 2013
Boyko Dossev, a native of Bulgaria, is a corps de ballet member of the Boston Ballet and has been dancing with the company since 2006. He took time out of their busy Nutcracker schedule to chat with The Tech about the show and the life of a ballet dancer.
November 12, 2013
In 2001, Missy Suicide (Selena Mooney) co-founded SuicideGirls, a website that features pin-up photography and profiles of alternative female models, as a way to show the world that there is more than one way to be beautiful. Seven of the “SuicideGirls” featured on the site will come to Boston’s House of Blues on Nov. 17 to star in Blackheart Burlesque. The Tech caught up with the show’s organizer, Missy Suicide, about her thoughts on the show, stereotypes, and the sexiness of engineering.
November 8, 2013
World-famous pianist and American music specialist Alan Feinberg was an artist-in-residence at MIT the week of the Boston lockdown last April. His recital, originally scheduled for that fateful Friday evening, will now take place tonight, Friday, Nov. 5, at 8 p.m. in Killian Hall.
November 1, 2013
Boston Ballet corps de ballet member Diana Albrecht spoke with The Tech about her career in ballet as well as her favorite moments of La Bayadère. A native of Paraguay, Albrecht has been dancing since she was three years old, and professionally since she was 16 years old. In La Bayadère, her roles include dancing as a bayadère (Hindu temple dancer) in the first act, in the fan waltz in the second act, and as a shade in Solor’s dream in the third act.
October 25, 2013
The Tech: When did you start ice dancing, and how did you keep up with it at MIT?
<< First 1 | 2 | 3 Last >>
October 18, 2013
“What if Mick Jagger stopped singing ‘Honky Tonk Woman’?” asked MFA curator Erica Hirshler at the opening of John Singer Sargent Watercolors. By 1907, the renowned Gilded Age portraitist John Singer Sargent had effectively abandoned his lucrative career as a portrait artist in favor of landscapes and figure studies in watercolor. It came as a shock to the art world, as if Jagger had given up “Honky Tonk Woman.”