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Articles by Daniel Parker

December 11, 2012
The Taming of the Shrew is a rape story. Barring discussion of its historical significance in a time when misogynistic thought was yet undifferentiated as an academic job, not an opining one, we need to ask how to react to the play today.
February 17, 2012
Last week, The Tech sat down with Anna Kohler, Senior Lecturer in MIT’s Musical and Theater Arts Department, who is directing MIT Dramashop’s most recent production, My Uncle, a reimagination of Anton Chekhov’s classic 1897 play Uncle Vanya, which explores the ideas of wasted life, frustrated desire, and alienation in the setting of a Russian country estate. But My Uncle transports us into the frame of a mental asylum: The MIT student actors are mental patients who, as part of a “Drama Therapy” session, put on a stunning version of Uncle Vanya where Chekhov’s characters are played by two actors each and where the dramatic illusion is periodically interrupted by reminders of the hospital.
November 4, 2011
The MIT Shakespeare Ensemble’s production of Macbeth summons such a strange intensity that the suspension of disbelief is hardly “willing”: we have no choice as the audience but to accept the truth of the tragedy taking place before us and partake viscerally in the trials of its characters.
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