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Articles by Chennah Heroor

September 20, 2013
Near the beginning of The Family, Giovanni (Robert De Niro) narrates his life story. A former mafia boss who snitched on the mob, Giovanni is forced to become “Fred Blake” and enter witness protection in Normandy with his wife “Maggie” (Michele Pfeiffer), daughter “Belle” (Diana Agron) and son “Warren” (John D’Leo). Though he’s committed untold numbers of murders, tortures, and other devious schemes, he somehow sees himself as a misunderstood “good guy” living with his own moral code. And this absurd delusion seems like an apt metaphor for The Family, a movie convinced that gruesome murders and thin laughs can create a good gangster movie.
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